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Shruti Haasan opens up about self-love, acting and being an Indian superstar

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“I had to fall in love with myself again which was the hardest thing to do”

Shruti Haasan is an Indian film actress and singer who works predominantly in Tamil, Telugu and Hindi language films. Shruti has won multiple awards, such as two Filmfare Awards South, and has established herself as one of the leading actresses of South Indian cinema. She sang her first song aged just six in her father’s Thevar Magan, a composition of Ilaiyaraaja. While in school, Haasan made her singing debut in the Hindi language film Chachi 420, which was directed by her father. Shruti sang the bilingual versions of the title theme “Rama Rama” with her father, in Hindi and in Tamil, for the movie Hey Ram. The album from Ilaiyaraaja, which was critically praised, won Haasan accolades for her efforts with Screen India saying that she “has the makings of a good singer, and with some training she should go great guns.” She was also the music composer of the Tamil film Unnaipol Oruvan, which was released in 2009. The bilingual film was a remake of the Hindi film A Wednesday! Enjoy our sidewalk interview with the talented

www.instagram.com/shrutzhaasan

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An attempt to capture love

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“My plan was to capture “Love” in a well balanced relationship and in a very intimate environment.” explains photographer Aaron Deppe about his touching new series. “I love intimate moments and I love to capture them. Those moments are honest and not fake because fake is what we already have enough in this world, even though honesty is so much more valuable. This shooting is about Love and what that means to me. Being so close to someone, completely free, vulnerable and strong. I tried to capture those feelings from both sides – male and female. I do not believe in “strong man and a woman by his side” bullshit. I captured both equally in weak and strong moments because that´s just how a healthy relationship should look like in my opinion.

I chose Isabelle and Andreas because they both seem so much in love with each other and I thought they could easily forget my presence during the shoot and they did. I had worked with Isabelle before but I met her boyfriend Andreas and experienced them both together for the first time that day. I usually give directions while shooting people but this time I only said a few words to set the mood right and let them be. You could really feel that both of them don´t try to change each other in their relationship and I believe that´s why they are so happy.

I shot them in their apartment in Berlin Mitte to make this whole shooting as comfortable and familiar for them as possible.”

Photographer: Aaron Deppe
www.aarondeppe.de
www.instagram.com/aarondeppe
Model: Isabelle of VIVAmodelsBerlin
www.instagram.com/lustaufliebe
www.instagram.com/vivamodelsberlin
and Andreas
www.instagram.com/tagtrauemerei

Photographer: Aaron Deppe
www.aarondeppe.de
www.instagram.com/aarondeppe
Model: Isabelle of VIVAmodelsBerlin
www.instagram.com/lustaufliebe
www.instagram.com/vivamodelsberlin
and Andreas
www.instagram.com/tagtrauemerei

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“A Duality Of Scale” The stories of the people behind the art: Demis Lyall-Wilson #8

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With our new series “An artist´s life.” we want to share the stories of the people behind the art.

“An artist´s life.”
The stories of the people behind the art
#8  Demis Lyall-Wilson 

A Duality Of Scale

No matter what field an artist works in, there’s one thing that binds us all: that strange duality of money versus passion. We’re all on that spectrum somewhere, everything we do. Are you that person who’s almost completely sold their artistic soul, lingering at the money end? Or perhaps you’re the other, struggling to pay the bills, sharing a room with several half-finished projects, loving every second of the starvation? Me? I might have found that particular balance, albeit an uncommon one.

Half my year I spend working on Hollywood films. Visual effects: compositing, if you want to get specific. It’s very creative work – that ‘photoshop for video’ kind of skillset, involving green-screens, with an artistic scope ranging from removing pimples from brows up to creating and destroying entire worlds. It’s fun. It’s challenging. And yes, it pays the bills. My bosses bosses are big corporate entities, Disney and the like, with much of the higher level structural creativity well out of my hands. Some months, some deadlines, my body is destroyed by the 18-hour-days or the 7-day-weeks. More often than not, even that becomes worth it: working on a single successful film, and I’ve got something cool to talk about at the pub for years.

“While the great duality for me is still finding that duality of passion versus pay, having mostly found it, my own swinging bar is somewhat different: the battle between the large (the lack of creative control, the complicated) and the small (the simple, the emotionally attached). When I’m deep amidst one, I do miss the other, life always seeming that bit greener on the other side of the fence.”

Then, with the other half of my year, something that feels like an opposite: I take photographs. Fashion, portraits, friends, models, the occasional celeb/actor type. Instead of vast teams working from open-plan corporate office booths, it’s me, a model, a makeup artist, maybe a stylist. Instead of seven different levels of creative command between me and the finished pixels on screen, it’s just us few, in the room, making art on the fly. Or just a girl, a street, a camera. Something doesn’t work, we just fix it, move on. The art itself is simpler too: instead of hundreds of artificial elements (spaceships, fire, smoke, dust, destruction), we’re focused on the mood, the moment, finding some very real aspect of a person’s personality and capturing it in a blink, the genuine article. But no, before you ask: it certainly doesn’t pay as well.

While the great duality for me is still finding that duality of passion versus pay, having mostly found it, my own swinging bar is somewhat different: the battle between the large (the lack of creative control, the complicated) and the small (the simple, the emotionally attached). When I’m deep amidst one, I do miss the other, life always seeming that bit greener on the other side of the fence. Which is my point really: if it’s true we all have our dualities, our raging internal battles, will we, as artists, ever find the One Balance To Rule Them All? Part of me thinks not. And maybe that’s the thing about art — to have moment you’re not fighting, not striving, no seeking to fix or improve — perhaps that’s the impossible dream.

Demis Lyall-Wilson is a London-based photographer and Hollywood visual effects artist.

Photography and wordswww.instagram.com/demislw
Model – Emily Stoner
MUA – Rebecca Hampson
Photos – Demis Lyall-Wilson
Equipment – Pentax 6×7 MLU, Takumar 45mm f4, Kodak Tri-X 400

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A day at “Casa Rosita” with Melina

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A day at “Casa Rosita”; a beautiful and authentic summer house based on the east coast of Spain. This warm and so singular light filtered by the leaves of olive trees, this place full of this mediterranean atmosphere leaves us a magical memory of these last days of summer. Starring Mélina Charles photographed by Julien Pounchou.


Photographer: Julien Pounchou
IG: julienpounchou
Model: Mélina Charles
IG: melinacharles_
Location: L’Ametlla Del Mar

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On the beach

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Photographer Benja Perez teamed up with model Michal Idan and the second hand store Outside.society and together they created a nostalgic series. “We tried to make it feel old school and  a bit free style. Like me, I’m a free spirit and enjoying my life, I love the beach and  kind of tomboy things like skateboarding.” Michal tells us. “When you are inspired by some great purpose, some extraordinary project, all your thoughts break their bonds.”

Photography by Benja Perez @benja_photo
Model: Michal Idan instagram.com/michal_idan
clothes by Outside.society

 

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10 questions with Zoe Salome Saip

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You might know Zoe Salome Saip from last seasons Germany´s Next Topmodel. We immediately fell in love with the quirky blonde girl and her distinctive youthful look and attitude and wanted to know more about the Austrian model. In our interview we talked about what she loves about herself and others, dating and that goals in life are important.

 

What did you want to be when you were younger?

I played Handball on a very good level and I wanted to be a professional.

What would you say is your strongest skill?

I am a very social human.

What do you love about yourself?

I love my legs.

And what do you like most about others?

I like loyal people, honesty is very important for me.

 

Sieh dir diesen Beitrag auf Instagram an

 

Ein Beitrag geteilt von Zoe Salome Saip (@zoesalome) am

How do you deal with failure?

It is never easy but if you don’t fail you are not able to learn. So I try to tell myself everything happens for a reason.

What are your thoughts on online dating or tinder?

After the TV show those options are not possible for me anymore because there are a lot of people now who know me. I would like to have a boyfriend who loves me and not my fame and dating with tinder is always a possibility for men who want to become famous through me. But a lot of my friends found fun or a relationship with tinder.

 

 

Sieh dir diesen Beitrag auf Instagram an

 

Ein Beitrag geteilt von Zoe Salome Saip (@zoesalome) am

“It is never easy but if you don’t fail you are not able to learn. So I try to tell myself everything happens for a reason.”

 

Would you relocate for love?

Without my job yes, but if you have to travel a lot and work all over the world it is not easy to change home. But if he is Mr. Right I would think about moving.

What´s something you wish you could tell everyone in the world?

Enjoy every day and never regret because you only life once.

You are 19 years young. Is there anything you want to achieve before your 20th birthday?

2019 is a very important year for me. I signed with a new agency in Berlin and it is the first year after Germany´s next Topmodel. I would like to stay in this business not just for one year. 2019 is hopefully the start of something big for me.

And is having a goal in life important?

It is important to do something you love and what makes you happy. Goals are important because I want to develop as a person and at my job. But often life will give you chances and I will try all of them. Let´s see what happens.

images  provided by Zoe Salome Saip
and instagram Zoe Salome Saip

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Wake up in New York City

Tropical Feelings with Kelly

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Blue hair, a fluent passage into the turquoise blue sky and sea.
A perfect interaction, her body as a canvas of light and shade.

This story comes along just at the right time. Grey days hanging over my mood disappear. Jessica Wertheim, alias JCK Photo, a photographer based on the North shore of Oahu ( lucky her!) asked one of her best friends in front of her lens. A perfect interaction, her body as a canvas of light and shade.  “Kelly has become one of my favorite muses and closest friends since our first time working together almost one year ago, she truly inspires me on so many levels. The depth of her soul can be clearly felt through these magical images we had so much fun creating! It was an absolutely perfect morning to shoot on the stunning north shore of Oahu. I wanted to portray natural electric beauty in it’s purest form, using Hawaii’s landscape in a way I have yet to see, with a pixie vibe twist. Hope you love as much as we do.” Yes, we do! Styling, creative direction are also done by Jessica.

 

Credits model @kelly.lauren
styling, creative direction, and photography by me @jck_photography / jckphoto.com

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…with music you can do both.

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There are moments where you want to stay forever. And there are the ones you want to disappear from immediately. With music you can do both. I really couldn´t say it better than with the word of the great Tschaikowski.  “Music puts me in a state of intoxication like a glass of Cherry, and this state I find beautiful and sublime. Mysteriously one is driven somewhere into an enigmatic, unknown place, caught in a world whose magic is so great that one is ready to die in this state.” 

Es gibt Momente, in denen du immer verweilen möchtest. Und welche, aus denen du ganz schnell verschwinden willst. Beides kannst du mit Musik. und ich könnte es nicht besser sagen, als mit den Worten des großartigen Tschaikowski. “Musik versetzt mich in einen Rauschzustand wie ein Glass Cherry, und diesen Zustand finde ich schön und erhaben. Geheimnisvoll wird man irgendwohin getrieben ins Rätselfhafte, Unbekannte, in eine Welt entrückt, deren Zauber so groß ist, daß man in diesem Zustand zu sterben bereit ist.”

music
/ˈmjuːzɪk/

noun – vocal or instrumental sounds (or both) combined in such a way as to produce beauty of form, harmony, and expression of emotion.

Photo by Tobias Tullius on Unsplash
words by Sigrun

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A talk with Gus Dapperton

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“Success is just a bonus when you are really happy with the things you have created.”

We are pleased to present a sidewalk talk with Gus Dapperton, a singer songwriter from Warwick, New York. Gus began writing and making music after winning a songwriting contest in the eighth grade and he released his first single “Moodna, Once With Grace” in 2016. When he started music he was a lot into hip hop/R&B style beats with his friends before moving into a more indie oriented direction. Enjoy!

www.instagram.com/gusdapperton

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Bonjour Margaux!

Charlotte OC on her new single and a year full of changes

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“My new EP is about honesty, transitions, new starts, sisters, friends, being single, wanting to be single, not wanting to be single.”

We have totally fallen in love with Charlotte OC´s brand-new singe Satellite, that is out today on indie label GMR. All catches hold of us at the same time, her incredible voice, the change of rhythm and the eclectic sound indulging our senses. This single will accumulate into an EP in spring 2019 and in our interview she tells us what sort of other songs we will find on it, her inspiration for “Satellite” and about how she splits her life between extreme urban and extreme rural. 

 

 

Dear Charlotte, thanks for your time! You said it has been a pretty interesting year for you and that a lot has changed. What were those main changes?

A lot of the things that were in my life around the time of last year suddenly changed and weren’t there anymore and there is something about change that is utterly petrifying but also so liberating as time goes on. That moment of change really fueled this EP.

Did you feel a lot of pressure after your last years´ successful debut album “Careless People” to create new songs or you are very relaxed when it comes to writing new songs and progressing as an artist not thinking about the reaction of others?

I think this was the first time I’d felt totally and utterly relaxed during the creative process. I’ve spent years worrying about what people thought or what everybody else was doing but this time felt different and I think I owe that logic and the band New Order. I’d never really got into production before but after my year of “change” a very dear friend of mine told me wipe my tears, open up my laptop and start being the artist I wanna be.

I found it really hard to start with but what changed it was when I started listening to one of my favourite songs by New Order called “Blue Monday” and suddenly I thought I’d love to cover this; Before I knew it I was building a track . I listened back to it and realised I loved all the elements I’d put in. I then moved onto a track I’d written called ‘This Pain’ which I had recorded on guitar and added all the same sounds over it and then I was “ FUCK ! That’s a bit of me right there!” From that moment on I knew where I was going and everything else fell into place sonically.

I loved how you described your inspiration for choosing the debut album title so I am very curious to hear what inspired you for Satellite. What is the song about? And how did you chose the title?

The song title came from a vinyl I saw in the studio whilst I was writing the song called ‘Sleeping Satellite’ by Tasmin Archer but the song is about reading somebody’s body language or even certain things they say and piecing it all together yourself and realising that something isn’t quite right. I wrote it for somebody to let them know I knew what was going on but also I wrote it for myself as I needed to get my head around it as well.

 

“I really do enjoy the split between extreme urban and extreme rural – they are both the same really. It’s amazing to arrive but bloody hell it’s good to leave.”

 

Can you reveal more about the EP coming out next spring – what sort of songs we can find on there and if there is an overall topic?

Honesty, transitions, new starts, sisters, friends, being single, wanting to be single, not wanting to be single.

You are from Blackburn, near Manchester but you now divide most of your life between here and LA, right? I read that you are someone who needs a lot of time to breath and step back, and having lived in London myself for some time, I know this is not such an easy place to so do. So where do you recharge your batteries in your daily life – at home? Or do you have some retreat places in the city?

Going back to Blackburn is a big thing for me. I get to lock myself away and walk my dogs in the woods, eating my mum´s incredible and I mean INCREDIBLE home cooking and just being around my family. I also feel very creative there as we live somewhere where I can make as much noise as I want.
I really do enjoy the split between extreme urban and extreme rural – they are both the same really. It’s amazing to arrive but bloody hell it’s good to leave. There’s this quote by my favourite F.Scott Fitzgerald about home that I love… “It’s a funny thing coming home. Nothing changes. Everything looks the same, feels the same, even smells the same. You realized what’s changed is you.” – F. Scott Fitzgerald

Do you think that one day you will end up living in a smaller place again?

I really don’t know where I’d want to live. I get fidgety if I’m somewhere too long.

The perfect day starts with… and ends with…

Peanut butter on toast with honey and ends with finishing a tune that you actually love and end up going to bed feeling like it’s Christmas.

Do you have a life plan of what you want to achieve or you take each “page of life” as it comes?

Still feels like we are on page one… I feel like I’m still on the contents page … I like taking my time with stories anyway….but that´s only because I’m a slow reader.

The most important thing for you in life is…?

My family being ok, safe and healthy and happy and as cheesy as it sounds…..music.

Stream / Buy here: smarturl.it/COCsatellite

www.facebook.com/CharlotteOCOfficial
www.instagram.com/charlotteocofficial/?hl=en
www.soundcloud.com/theoneandonlyoc
Images Press courtesy

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Sparkling Eyes

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“I have always dreamed of photographing Valeriia of Premium Models Paris. She has such an impressive personality and look ” tells us Laurie-Lou. “We met at this vintage Parisian apartment “Antoine Pai Taste”. Her magic blue eyes are like the sea and I totally got lost in them. Valeriiaa is a beautiful wild child, and she offered me so much infront of the camera.” So true! Styling done by Marie Rousseau.

 

Photographer : Laurie-Lou instagram.com/l.a.u.r.i.e.l.o.u
Model : Valeriia @ Premium Models Paris
instagram.com/valeriiakaraman & instagram.com/premium_models
Stylist : Marie Rousseau instagram.com/marie_rsseau
Location : Antoine Pai Taste

 

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“Inspiration is a drug” A talk with Black Sea Dahu

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Text by Oro Del Mac
Photography by Paul Märki

“We recorded this album in Norway, barely leaving the studio for 17 days. And I loved it! I’ve rarely felt more alive, been more creative, or made more sense than during that session. In such moments it feels like you are exactly where you need to be and that’s a very, very strange feeling. Especially, because you know that you’re not in a normal state of mind – you haven’t eaten nor slept enough. You haven’t moved farther than 100 meters away from the recording room for days. You haven’t talked to anyone else other than the members of your band who themselves have gone mad along the way. And you’re somewhere on a goddamn island in Norway!”

If you have a perfect song – i.e. a solid melody and some great lyrics – all you really need is a voice and a guitar. The new Black Sea Dahu record titled White Creatures is full of these type of songs. In fact, pretty much any one of them could be stripped down to its bare knuckles and you’d still walk away humming it. This gang of outsiders, led by vocalist and writer Janine Cathrein, really stirred things up this past summer with the release of their lo-fi (think aesthetics and not production value) heart-break anthem called In Case I Fall For You. After that everything went mad! Here is a short interview with the lady with the smoky voice: Janine Cathrein.

Maybe I’m reading too much into it, but it feels like you have two hearts beating in you: one for the city and the other for the wilderness…

I’m definitely always drawn to the wilderness or, at least, a wider horizon. I grew up in a small village where nothing ever happened, and that bored me to death, and I felt really lonely sometimes. But it was also a nice thing because you could actually see the stars in the sky at night. There was no traffic and, hence, no noise – no tourists either. I just recently moved to the city, and I find myself sitting in cafés all the time working on my computer, just to be around people and some noise. But other than going to concerts I’m not really interested in diving into what the nightlife has to offer, I’d rather go surfing again! I’ve been dreaming of that vividly for months now…

White Creatures, as a record, is about love and all the messy stuff that it brings along – would you say that it’s getting harder for us, as people, to relate to each other on an intimate level?

Well, I wouldn’t define it as that. I’d say it’s about coping with the mess that life turns out to be and, of course, love plays a vital part in that. To answer your question, when I look around, I see a lot of insecure human beings playing dress up. What is that? Why do we care so much? I’m not immune to it either, not at all. Too often I find myself going out only because I’m trapped in my own head, my expectations and, most of all, the paralysing fear, that of not being understood.

 

“Inspiration is a drug, my goodness…”

 

You seem to be touring a lot, do you write while you travel?

I try to. But I need a free mind for that, and to seize the right moment. It’s hard to do between shows because that’s when I try to catch up with admin work and answer interview questions.

But is it even possible?

Yes, it is possible. And I desperately need those moments of creativity because it gives me strength, energy and motivation! Inspiration is a drug, my goodness…

Do you think this heavy touring and playing out will change how you write and alter the sound of your music?

That’s definitely possible. But I’ve always written my songs with just a guitar, the piano, a violin and my computer. I have all of these with me on tour, that and a toothbrush and an extra t-shirt, so the odds are actually pretty good that I’ll continue writing as I always have. But this time it’ll be under the influence of time passing me by and all the artists crossing my path.

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“When I look around, I see a lot of insecure human beings playing dress up. What is that? Why do we care so much? I’m not immune to it either, not at all.”

 

Do you guys have a soundtrack that accompanies you as you travel? I’d be curious to know what’s on the playlist.

Oh so many great musicians are on there! I’ll make a Spotify playlist soon so that everyone who’s interested can listen to some kick ass music that I love. But for now: Hanreti, Jungle, Balthazar, Rio, Long Tall Jefferson, Alois, Mnevis, Sophie Hunger, Anderson Paak, Ben Howard, The Tallest Man On Earth, Andy Shauf and, not to mention, the classic homemade mixtapes with music from 1998-2010! We always play those first, every time we go on tour (laughs).

 

 

Your press release mentions the Merry Pranksters, can you relate to this type of creative madness?

We recorded this album in Norway, barely leaving the studio for 17 days. And I loved it! I’ve rarely felt more alive, been more creative, or made more sense than during that session. In such moments it feels like you are exactly where you need to be and that’s a very, very strange feeling. Especially, because you know that you’re not in a normal state of mind – you haven’t eaten nor slept enough. You haven’t moved farther than 100 meters away from the recording room for days. You haven’t talked to anyone else other than the members of your band who themselves have gone mad along the way. And you’re somewhere on a goddamn island in Norway!

So what’s next for the Black Sea Dahu collective?

Touring, touring, touring! Life is crazy and it’s gonna get even crazier. I hope people actually come out to see us play, I really do.

blackseadahu.bandcamp.com/album/white-creatures
www.facebook.com/blackseadahu

 

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Spada – Everybody Who’s Not (feat. Orion)

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“Everybody Who’s Not is about the hope to not be alone, but also the wish to be unique and different at the same time, and about the drill on young people to become something, We’re in this together.”

We are happy to share with you the latest track of Italian electronic music producer and DJ Spada. Everybody Who´s Not immediately catches and gets started at full power and doesn´t lose this energy throughout the whole track. The video emphasizes the party mood until dawn while the song´s lyrical meaning adds the feeling of a whole generation.

www.soundcloud.com/spada
www.facebook.com/spadaofficial
www.instagram.com/spadamusic

 

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Gesaffelstein – Reset

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The French producer Mike Lévy alias Gesaffelstein finally returns after five years with a minimalistic and dark track and it sounds fresh and addictive. The video seems like a critical parody to the rap scene aswell the title “Reset” also evokes the need for a change in the music industry. But who knows…. let´s enjoy the beats…

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20 th Century with Michelle

A talk with Maarten of Bingo Players

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“The limitations of making music have gone due to computers but the basics of how you make your music – the grooves and the feeling – is still the same.”

Bingo Players is a Dutch dance and electro house musical project fronted by DJ and record producer Maarten Hoogstraten. Bingo Players was previously a duo with Bäumer, who sadly died from cancer in 2013. After the tragic death of Bäumer, Hoogstraten announced that Bäumer had said to continue with the Bingo Players. They are best known for their hit songs “Cry (Just a Little)” and “Rattle”. Cry (Just a Little) was a Top-40 hit in the Netherlands, Belgium, United Kingdom, and other parts of Europe and Australia, in addition to an international club hit. Bingo Players were ranked number 52 in DJ Mag’s Top 100 DJs list for 2013. Enjoy our sidewalk talk!

 

www.instagram.com/bingoplayers

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Morning Rituals with Lauren

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“LA has this nostalgia that can be very inspiring.”

recalls photographer Jonathan Benbaruk. “So I tried to capture this vintage feel with Lauren who is from LA, on an October morning in the calm of a house in Larchmont.” Model Lauren Pastorius with Vision LA bides away in relaxed idleness in order to sound the day. Why so much rush when time is anyway flying? Hair and Make up are done by Rory Gaudio.

 

Creative Direction/Photographer: Jonathan Benbaruk
www.jonathanbenbaruk.com
HMUA: Rory Gaudio www.instagram.com/rorygaudio
Model: Lauren Pastorius www.instagram.com/laurenpastorius
Agency: Vision LA

 

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The stories of the people behind the art: Kamila Szalas

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With our new series “An artist´s life.” we want to share the stories of the people behind the art.

“An artist´s life.”
The stories of the people behind the art
#9 Kamila Szalas

 

Since I can remember I thought of myself as someone strange. Someone who doesn’t fit anywhere. Now, that I am an adult I am strong enough to call it “unique” but during childhood …man, I felt like all the people were living together and me on the opposite.

I’ve always been writing. I was this kind of kid that wanted to read everything, every book that exists. I often heard “you’ll be a writer”. I kept starting new novels but after a few pages I already had a new, better idea to write about. This way I still have not finished any longer story. I believe someday I will, though.

I never wanted to end up living an ordinary life. Doing the same things as others, having a boring job, a husband, kids, and being just an ordinary woman with ordinary needs. It seems scary. And cultural roles and norms always seemed just so stupid that I didn´t want to participate in this what I considered a meaningless parody.

The first type of writing I really felt good at was writing columns for a school magazine. Building sentences, metaphors and jokes about useless trends like hipster subculture; it felt like some kind of therapy. Trivializing things I hated was like taming and working on negative feelings.

“I never wanted to end up living an ordinary life. Doing the same things as others, having a boring job, a husband, kids, and being just an ordinary woman with ordinary needs.”

Then it was the time for reportages that led me to my most important writing achievements so far. Writing about patients of a psychiatric hospital or Polish immigrants working in The Netherlands were my first appreciated works.

But my private, not published works were always inspired by my very private dramas. Isn’t it obvious? I hated society, and so I hated life. You get what you give. So, there was a lot of pain, and bad, bad seasons of crying after one or another love; loneliness that was the result of keeping the door closed for everyone.

For over one year I now have been studying Anthropology, the study of human behavior and societies. I study explanations why people do things they do even though these things are limiting them – like entering marriages or practicing religions, going to schools and then spending all days at work, trying to cheat the nature with medicine and technology, giving certain roles to women and different ones to men, explanations of why sex is such a taboo and sexual violence is so often called woman’s fault. Why the hell is the world such a disgusting place full of evil?

“I think the base for creating art, especially through writing, is what I personally call “overfeeling”. Feeling too much and too deeply: void, darkness, love or hurt.”

After 23 years of hating myself for my vulnerability I’m learning how to stop caring about other’s opinions but rather focus on my own stuff. Let myself grow out of aversion to life. I have already known for long that it is the exact reason my novels have never been finished. I stand on the ground with one leg above the ground; like I am not sure if it is real and if I want to stay.

I think the base for creating art, especially through writing, is what I personally call “overfeeling”. Feeling too much and too deeply: void, darkness, love or hurt. Observing is my main passive activity among people. Observing and imagining in my head what others feel and why; what happened before I saw them, what will happen next, how it is going to end like. Those stories I imagine are my own interpretations of what I see. I feel like every art is an artist’s personal interpretation based on his life experience. That is why after you give one sentence to ten people, everyone will write something different about it. That is also why the same model will be photographed in different ways by different photographers. It is not only the individual technique. Creating is giving form to what is inside of us.

Text by Kamila Szalas @hypearr
images by Maximilan Motel

 

The post The stories of the people behind the art: Kamila Szalas appeared first on C-Heads Magazine.

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