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Premiere: Menke – Nattskärran (Christian Löffler Remix)

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Layers of atmospheric sounds draw you into a melancholy world full of depth. Goosebumps included. Christian Löffler is a guarantee for an intriguing as well as an addictive sounds. Such as the newest remix of “Nattskärran” by Swedish multi-instrumentalist and songwriter Menke.

 

“When I first heard Christian Löfflers remix of my song Nattskärran I was struck by how well his sounds blend and intervene with the original production. He really adds many dimensions – depth, mystery, warmth, and darkness to the track. ” Menke explains. The song is her musical interpretation of the eponymous poet Karin Boye. “My soundscape is totally analogue and acoustic but I have always been tempted to enter the digital and electronic world. And now, with Christian’s remix, I get to have both.”

pre-order here: radi.al/NattskarranRemix

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Menke: featured image by Farhman Di Marco

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Rad Horror “Mad at the World” On Heavy-Hitting New Single

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There’s a lot to be mad at nowadays.

They could pick things out one by one, but to save time, Rad Horror is mad at all of it. On their most recent single, “Mad at the World,” the LA-based rock band conjures up a tasteful blend of styles similar to early alternative greats like Oasis, Nirvana, and The Strokes. Ironically enough, while it feels bright and breezy, lead singer Dylan Jackson Scott claims its an anthem of confusion – not understanding why the world is in its current state. Better yet, the song has been extremely well received so far – by both the fans, and the industry.

Words and Photography by Andy Gorel

 

 

“I don’t think I understand the music industry. Maybe it doesn’t understand me. You could say I’m mad at the world, but maybe I’m just mad at all the posers appropriating rock and roll and hip hop to create bad music.

 

Rad Horror on Instagram
Rad Horror on Facebook
Rad Horror on Twitter

 

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_TOY_ punk, drugs, and mental illness

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“What is the blank generation, broken screens glow manic magic that touches with hallucinations but we are not really touching. All kings predicted with garland crowns made of hyperspace worthy to sheer illusions but “art imitates life” virtual panic disruption like white noise, white fear, black flag surreal.” -V

Do people remember the documentaries that Penelope Spheeris made?
I remember The Decline of Western Civilization III about punk rock culture.
Where the line between homelessness and punk rock is blurred, the aesthetic
of the movie is the loneliness and survival it shows the unforgiving side of society. Now, I don’t think people should not do anything to earn a living yet there is this side of culture which we need to look at the situations that follow many of these lives which include sexual abuse, abandonment, addictions, and mental illnesses. It is not just about the documentary but when we look at Los Angeles right now just this one place. From Hollywood to Skid Row to Santa Ana there’s a huge epidemic and the sad thing is people discard the feelings of outsiders. Many of the people whom fell into these situations come from backgrounds of sexual abuse, and drug-ridden lives.

The question is how do we fix what birth has created to be disowned? How do we help people who have issues that are not murders, that are not a real threat but are angry and hurt? Sure we idolize lifestyles that are damaging, we make books, we make movies, but what is done to help our society heal… What is done to get children off the streets? What is done with bad parents? What is done with what seems a
threat from the wrong hairstyle, wrong clothes, and being different. Perhaps
the association to punk rock has nothing to do with it, but the movement of
being different and being cast out just because of that and that is PUNK.
The world is in constant fear, we push each other, we don’t try to fix things.
There’s issues we can’t even fix alone, we need so much more to protect
youth and to help the homeless, to help the emotionally unstable, mentally ill,
and so forth. All I see is clenched fists from all sides, we don’t have the time
to look after ourselves, we talk about self care so often but we are running
around half blinded by what is trend, how much money we can make, how
many events can we attend, how many friends we will make, and it is all
relevant but we must think of the outsiders, we must try to find the heart to
have time for helping one another, helping our society, mending our youth,
and protecting our future. The next thing I want to talk about is artists and
freedom, I use to live in Berlin for two years and the city is filled with hopes
of the better… Much due to more affordable living or flexible.

“We are told not to give away our art for free but we are minority artists at times not of wealthy cause, and before we can put it anywhere we might be dead. And the world might be dust, and we might never know if we touched someone from a distance, art is to make love with a stranger. How do we create this love if we are suppressed by gallery and its friends? They say make your art bigger and sell, bigger canvas, bigger photo, bigger poetry. Yet just because something is magnificent in size does not make it magnificent in its nature. “ Until next time!

A text by Vanessa Matic

 

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The Beauty of Routine

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Enjoy a story-telling series starring Julie Podczaski photographed by Maryland based photographer Jean-marc Enongene with styling done by Jessa.

This series is meant to represent the magic that can exist in the mundane. Often times loneliness and routine are viewed as negative or tedious. These images show the solitude that can exist in these moments.

 

Photographer: Jean-marc Enongene
www.Jeandashmarc.com
IG: @jeandashmarcc
Model: Julie Podczaski
IG: @Juliepodczaski
Stylist: Jessa
IG: @nighthawksvintage

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Bea Miller talks about love, tough times, and writing her own songs

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“One day I woke up and thought
I don’t want to live this life”

Bea Miller is a singer, songwriter and first garnered attention through season two of The X Factor – US – when she was 13 years old. Debuting her EP in 2014 she started releasing the EPs Chapter One: Blue, Chapter Two: Red, and Chapter Three: Yellow in early 2017. We chat about her growing up with two moms, writing her own songs and being the breadwinner for her family.

www.instagram.com/waxmotif
 
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Heartfelt back and forth with Wolfman

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To call Wolfman – Katerina Stoykova and Angelo Repetto – indie electronica or a synth-pop duo is like rendering a 3D technicolour cornucopia of imagery as a flat, two-dimensional object. Their sound, although it clearly draws from a synth-pop well and taps into some indie tropes, is really something of an auteur take on the history of alternative pop. There’s traces of blues in there and disco, r&b and soul, some of what came to be known as electro pop, rock and all types of club type stylings, but all of this is filtered through their singular sonic prism. When you hear it, you’ll know what I mean. In light of their sultry, 80s-tinged new single entitled Heat and their upcoming full length called “Mad Woman”, set to drop in early October, we sat down with vocalist Katerina Stoykova for a little heartfelt back and forth.

Photgraphy by Simon Habegger
Interview by Oro Del Ma


Tell me a bit about the actual scene of Switzerland. From what I see, there’s a lot of jazz and a lot of light mainstream-leaning electronica, mainly with vocals, which I guess is the prevailing sound right now.

Hmmmmm. I don’t think I could really describe the actual scene. There are so many good musicians, from jazz to electronica, it’s all there and like eveerywhere else there’s a lot of real talent and quality around, but also a lot of shallow stuff. So it’s a question of taste, of course, but also Switzerland is very small, and it’s very difficult for Swiss bands to become well-known outside of the country. I don’t know if there’s some-kind of widespread prejudice or we simply aren’t being noticed because we’re such a tiny scene on an international scale. A lot of the musicians I personally adore and admire aren’t being noticed much because they’re not striving to copy the mainstream cacophony. And some of the more famous names, for me, are oftentimes part of a very monotonous backdrop for the masses. There are only very few that have truly made a name for themselves without losing their originality. But I guess that’s the same everywhere.

Would you say that there is a strong sense of community in the scene?

I’d say there is, at least within the circles I know. We’re constantly in touch with other musicians, having our songs remixed by them. Angelo also does a lot of remixes for others and I think there’s genuine admiration for each other. I don’t know why that is, but I guess the musicians we’ve come to know closely share the same values and are in it for the music, first and foremost.

 

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How did you guys meet, I mean you and Angelo?

We used to live in the same building, on the same floor, and Angelo’s bedroom was right next to mine, so I’d constantly wake up to the dronin’ of his damn guitar, hahaha. And so we’d meet for coffee and beer all the time, both our flats became one big family of flatmates. aand eventually we began recording together. It kind of happened naturally.

What made you decide to make music together?

I think it was the friendship and our refusal to grow up, the trash talking. That kind stuff.

 

 

And why “Wolfman”?

One of the first songs we recorded is called Wolfman, it’s on our first album “Unified”, and it’s about the constant drive in some people, which can be a good or a bad thing. It describes our state of mind a lot of times, we’re often in some sort of frenzy and it’s what keeps us going.

What did your music sound like at the beginning?

Have a listen.

Do you write the songs together or you’re all modern like that and only trade files?

No, we’re prehistoric. We write every single song together and sit next to each other through every step.

So how did “Heat” come about, do you still remember? And is that Angelo on the vocals?

To be honest, the entire upcoming album resulted from a dream-like state of non-stop recording. We had some material and the songs sounded like they only needed some finishing touches but then the last month we got into one of those frenzies and basically never left the studio and I don’t remember much except that it was a lot of fun and a load of work and we came out of there thinking, ok, we just recorded the entire album in the last couple of weeks. Yep, that’s Angelo on the vocals.

I love the video for this tune! I love the stylish architectural imagery, but in conjunction with this karaoke aesthetic that the format implies – who came up with that?

Thanks, so do we! Our main video man and our co-producer for the last two albums, Hans-Jakob Mühlethaler. He’s an amazing music producer and he’s done most of our videos as well.

 

 

I’ve had my share of drunk karaoke nights and still feel bad for those who had to endure my vocal attempts, did you guys ever do karaoke together?

Nope, but we really should!

Would you say that the Swiss are a karaoke nation?

Hmmmm..I have no idea. There was a famous place in Zurich that used to have karaoke nights every Sunday and I used to go there and karaoke after my Sunday shift when I worked behind a bar. Glad I don’t remember everything from those nights, hahaha.

So you have a record about to drop and it’s called “Mad Woman”, what should we expect?

I don’t really know. For me, it’s the best work we’ve done so far. Maybe it’s because of the intensity, but at the same time the light-heartedness of the recording sessions. We get be very dramatic but don’t take ourselves too seriously, and this time it all felt really easy and in the right place. So I’d be glad to hear your take on it when you hear it.

And since we already talked about the meaning behind Wolfman – why Mad Woman?

“Mad Woman” represents our kind of reverie with Wolfman. It’s about the meaning and absurdity of complete devotion to love of any kind. It’s also about the madness you experience – especially as a woman but also as a man who doesn’t believe in the boundaries of what it means to be a man and a woman – when you give way to your emotions and express them. It’s not taken seriously and it can drive you nuts. So when you believe in something you have to keep your flag flying even higher and insist on your stance until they finally get it. You see, everyone can feel like a “Mad Woman” version of themselves and want to express that. And they should be able to. And apparently I wasn’t wrong with this observation, because a friend of ours made us a couple of prototype t-shirts with “Mad Woman” written in bold letters across the front and a couple of my friends – both men and women – were very interested in wearing one of those shirts. It’s all flowing borders.

www.wolfmanmusic.net

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Stress Relief with Ilona Takmakova

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“This shooting came literally out of nowhere. I’ve been stressed a lot because of my hard management studies and the pace of my routine.” tells us 25 year young Milan based photographer Alberto Monizza. “I usually contact a model, who often times is a friend, and improvise a photo-shoot to find relief in a passion that liberates me from all of that.” This time he teamed up with gorgeous Ilona Takmakova in his own apartment in Milan, Navigli Area. “We met on a Saturday afternoon where dullness was about to conquer me. I have always hated the idea that in order to shoot an editorial you need a big team, and a cool location, or studio; and I hated when I received critics from a stylist accusing me to take decent photos only because I used to photograph flawless models in the streets during Milan fashion week. This shooting is also a response to that, and it is all about simplicity, which reflects my style as a whole: simple location, a daily life atmosphere, no equipment nor team; just my search of relief in the creation of simple beauty.”

 

Photographer: Alberto Monizza, @albertomonizzaphotography – www.instagram.com/albertomonizzaphotography
Model: Ilona Takmakova, @ilonatakmakova – www.instagram.com/ilonatakmakova

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“My work is very selfish” A talk with Kimbra Audrey

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Kimbra Audrey  is a photographer based in Paris that shoots all her photos on film and shows us her very personal and unique perspective of the whimsical feminine figure. Kimbra studied black and white film photography in high school and instantly fell in love with the medium. From natural shapes that the body creates to the true essence of nature – one can truly get bewildered with the energy of her self-portrait photos.

It’s not always the perfect smile that makes the best images. That’s why, we got absorbed into Kimbra’s honest work that in it’s core captures real emotion and genuine existence.

 

Photography can open up a new world of expression. It’s almost like entering a sacred alternate reality where you can express yourself as you want. It’s a pause in painful experiences and emotions, and also a way to heal and connect with yourself. Kimbra beautifully depicts that with her own story. Each photograph consumes you with her intimate narrative and composition.

Interview by Eva Davidova

 

What inspires your photography?

More than anything, my life experiences and the relationships I’ve had or currently have inspire my work. I have struggled with depression my entire life, and my self-portraiture has been instrumental in combating it. The challenge of being able to articulate my emotions through photography has also been inspiring. All of my work is a part of myself I am capturing and a part of my own history.

How would you describe the female form?

I find this question difficult, it’s too broad because every woman is unique and the female form is incredibly complex. It can be gentle, but also harsh; soft and hard; soft and rough, it’s not just one thing. The female form is always evolving, my own body is extremely different from what it was ten years ago, and what it will be in ten years.

Who influenced you the most? Is there any other photographer that inspires you?

I don’t draw inspiration from other photographers. My life experiences and relationships have influenced me more than any photographer. I certainly appreciate other photographers work and have many close friends who are photographers but it doesn’t influence my self-portraiture.

What was your first camera? How did you start with photography?

My first camera was a Canon AE-1 and I studied black and white film photography in high school. I was lucky enough to learn how to develop and print black and white in school on 35mm. However, I don’t shoot 35mm anymore, I shoot almost exclusively 120mm and polaroid, both were self-taught and I develop color film which I also learned by myself.

 

“My work is very selfish and solitary, all the work I make is for myself, and if someone can feel something from one of my images that is merely a bonus, it’s not the intention.”

 

What do you want the viewer to take out of your images?

I mean, to be honest I really don’t care what people think when they see my images because it’s not about them or for them. My work is very selfish and solitary, all the work I make is for myself, and if someone can feel something from one of my images that is merely a bonus, it’s not the intention.

Any favorite spot you like to currently shoot at?

My house. I probably shoot here the most, and because I built my own dark room, I have the luxury of developing and printing a roll immediately after I shoot it. For me, it’s extremely important to have a work space I also live in – it’s my sanctuary. Some days I do not leave my house at all. Privacy is also a huge factor about where I choose to shoot and I don’t have to worry about that in my house.

Where are you based right now?…and what are your favorite hideouts in your city?

I live in Paris. I mean…my favorite hideout is my apartment and living alone is extremely important to me. I hide in my house all the time. Outside of that, I really like the Abbey bookstore, I love reading and it’s my favorite bookstore here, I spend a lot of time there.

 

“All of my work is a part of myself I am capturing and a part of my own history.”

 

What does the word “lightness” mean to you?

Airy. To have little weight, something that is not heavy. To be gentle or delicate. Something that is not erious, and lacking in depth.

What does the word “feminine” mean to you?

The art of being a woman, not masculine. This is also a complex word, because there are so many different aspects to being a female. Feminine encompassing all the behaviors and attributes associated with womanhood, which are unique to each and every woman.

Is there a song you can’t stop listening to right now…?

Bisexual by GRLwood.

@KimbraAudrey
kimbraaudreyphoto.com

 

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Yournal of a Model Chapter 14: “Your journey never ends”

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Text and Model –  Jasmine Alleva
photography by Julia Trotti

read all  chapters

 

I didn’t quit. I haven’t quit. But people are going to say that, anyway. People always say what they want, anyway.

I’m taking a step back from modeling and dipping out of the game for a bit. This is entirely nerve-racking, as I’ve been trudging along in this industry and career for the better part of seven years. I’m living in hopeful anticipation of the journey ahead and looking forward to setbacks and heartbreaks and the day where I arrive at the station in life where I’m surrounded by all the apples this world has given me, proclaiming exhaustedly, that I tried to bite into as many as I could.

This isn’t to say that this door is closing and I’m certainly not slamming it, but I’m looking toward the other doors it has opened and setting my sights on whatever may be behind them.

Part of me longs for travel. Another part longs for the intellect and community I’ve lost in this time. No longer do I want to frequent Los Angeles, dropping in like a recovering addict to a trap house, for my dose of disappointment nor do I want to have mindless conversations regarding things I do not care about or people who do not love me (or you), but want our money.

This is, however, a success story. I left Alaska on a dream and I made it. More than once, I made it. And I will continue to make it, but I want to do it my way.

There is so much that goes on behind the scenes that no one knows because no one talks about it and here I am, failing to do my part in sharing. This life isn’t glamorous and is seldom glamorous. I have worked hard. The dozens upon dozens of creatives (photographers, videographers, make up artists, stylists, set designers, etc…) I’ve been fortunate to be around – work hard. I cannot tell you the amount of unpaid, tireless hours that go into our jobs, but I can tell you that the work never stops. It never stops.

“I cannot tell you the amount of unpaid, tireless hours that go into our jobs, but I can tell you that the work never stops. It never stops.”

 

By putting myself out there, I have received a lot of support. However, I have also been on the receiving end of a lot of negativity as well as cruelty. My intentions were never to harm anyone. I never wanted to incite anger or malice, but it turns out, I couldn’t avoid it. In order to be an inspiration to someone, you’re going to be a fucking joke to someone else and that someone else ALWAYS seems to have Twitter or another avenue of letting you know you’re a fucking joke to them. That’s okay. I did what I did and I’m proud of what I have accomplished and I know in the future, I will be proud of what I continue to accomplish.

I realized that I was toying with the prospect of turning the page when I found my hand down in the corner, playing with the thought of maybe moving on and maybe moving on before I was ready. There is no point in reading the same page over and over again and now I feel it is time to see whats next.

I had been thinning out my closet. I sold my iPad and then I put my camera up for sale, along with the nude heels I had worn to every casting in the past four years. It never did hit me that I wanted something else until my sister asked if I was about to “commit suicide or something”. This wasn’t a joke, but a genuine concern asked by my baby sister, who asked in the only way she knew how. I don’t want to kill myself and I haven’t in a while, but I want to kill this false image. I don’t want her around anymore.

 

“One of my agents used to ask me, “who is your audience?” when talking about social media. Jesus, was I writing a college application essay?”

 

One of my agents used to ask me, “who is your audience?” when talking about social media and I would brush her off. “Who is my audience?” I’d say it over and over before shrugging my shoulders and posting my next image, not caring too much as to who I was reaching or who was trying to reach me. Until it got away. My audience? Jesus, was I writing a college application essay? No, but I learned in a sometimes frightening way that this actually mattered. When I look back now, I wanted nothing more than to reach the girl I used to be. Not a single thing mattered more than going and being an inspiration and someone to look up to for the girl I used to be. And now, sometimes I don’t feel very kind. Sometimes I don’t feel very pretty or very successful or very smart. And I wonder if I disappointed her, but she was much more forgiving than I am now. I want her to be my audience. I’m playing for her again. And for girls like her: wide-eyed, optimistic, nervous, timid, and insecure.

I wanted to be a voice for those who didn’t have voices and an inspiration to those who were scared of trying. Anxiety is something I deal with daily and even now, typing this, I’m nervous about the backlash. I’m nervous to be this vulnerable. I know I will walk into the grocery store here and become aware of yet another rumor that has been spread about me due to this post and I’m nervous. But I’m going to do it, anyway.

I didn’t quit. I haven’t quit. I’m not going to quit. There is so much tied up in a highlight reel that contributes to falsities, making people (including me) feel like shit. I no longer want to feel discouraged or inadequate. I’ve decided to make this what I want it to be, to change directions, and to turn the page.

You’ll be hearing from me. And you’ll see me around. But you can say what you want, anyway.

 

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Artizians x Duranite

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Shot in Copenhagen, Denmark on 35mm film. Duran Levinson shoots the curator and founder of Artizians Agency, Tiziana des Pallieres which we introduced to you here. The two creatives met up along with Nicoline Aagesen and together they spent one week shooting and exhibiting their works as a team during Copenhagen Fashion Week. This fun and wild shooting is a result of a week together hanging out, having fun and planning and launching their exhibition in Copenhagen. The South African photographer also just released his new solo book “I’M FINE TODAY”, a travel documentary showcasing the culture and humanity that exists in our world, for more infos follow here.

 

Tiziana des Pallieres by Duran Levinson
@tiziana_des_pallieres by @duranite

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Golden hour, sea breeze, salty hair

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This is a story about a Surfer couple in the Polish countryside.
Golden hour, sea breeze, salty hair.
A story about loving life and being loved.

Photographed by Aleksandra Szymczak vel Szymaniak in Swinoujscie, Poland starring Justyna & Mario wearing clothing by Surfinc.

 

photographer: Aleksandra Szymczak vel Szymaniak – instagram.com/aleksandraszymczak
models: Justyna – instagram.com/wisniawprzekroju & Mario – instagram.com/vanlife.hard
clothes: instagram.com/surfinc.co
place: Swinoujscie, Poland

 

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Golden

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“We all live for those golden moments, sometimes we even manage to capture them with photography”

 

Creator/Styling Ron Flieger
Represented by Cosmopola
Talent Chiara Sampaio Diwald
Clothing: Fendi, Balenciaga, Stussy, Adidas
Production: Heysayyeah
Location Hotel Esprincep Palma de Mallorca

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Creator/Styling @ronflieger 
Represented by Cosmopola
Talent @chiarasampaio
Production: Heysayyeah
Location @hotelesprincep Palma de Mallorca

 

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Katelyn Tarver talks music, challenges, moving to LA and acting

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“Trust in yourself and trust your path.”

Katelyn Tarver is a singer songwriter and actress. Soon after releasing her debut album at age 15, she joined the Jonas Brothers on tour and moved to LA where she scored roles in Nickelodeon’s ‘Big Time Rush’ and ABC’s ‘No Ordinary Family.’ Most recently, she will soon be appearing alongside Dwayne ‘The Rock’ Johnson in HBO’s “Ballers” this coming summer. Katelyn also co-wrote Cheryl Cole’s UK #1 single “Crazy Stupid Love,” with pop goliath Wayne Wilkins (Beyoncé, Leona Lewis) and worked with Childish Gambino collaborator Ludwig Göransson for her more recent Tired Eyes EP. We chat about her love for music, acting and her music career so far.

www.instagram.com/katelyntarver

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She is like the sea

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And as the waves
carry her lightly to the shore,
she closes her eyes
and sees everything clear again.

Like a mermaid rising from the dark blue waves, embedded in the sea with its peaceful horizon but unpredictable stream, Russian model Olga Kobzar poses for the latest story of  Saint-Petersburg based Photographer Tatiana Mertsalova. This incredible combination of fierce nature and untamed beauty just makes us speechless.

Photographer – Tatiana Mertsalova
Instagram –   @notename
Facebook –   https://www.facebook.com/mertsalovatany
VK –   http://vk.com/notename
Model – Olga Kobzar
Instagram – @bugs_bunny_gf
Vk – https://vk.com/bugs_bunny_girlfriend
Shop: @andi_bagus

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Divine Light – A series exploring the power of mobile technology

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“My most recent project, Divine Light, centres around the concept that we live in a world where technology has become the new religion.” explains recently graduated photographer Ruby Steele about her new series what will make you think.

“Technology’s ultimate power and authority is comparative to that held by religion a century ago, a power which is exemplified through its ability to be used for good and evil alongside its indispensable place in modern life. The images exploring the elaborate relationships of power to how we perceive humanity, construct society and identify ourselves. It compares the religious supremacy of the past with the authority now wielded by omniscient mobile technology. The divine light used by Christianity in stained glass windows to underline the authority of the sacred image, has now been replaced by our devotion to the image on our phone screens in the modern era. Its ultimate power and authority is comparative to that held by religion a century ago. As an implicit religion, it is based on the sacralisation of the relationship people have with computers.

Mobile technology offers both a platform to form an identity for oneself via social media, and a tool of knowledge. It also offers an escape from reality, into a world of idealism and pretence. The anonymity it provides gives confidence to the weakest of people, strength that religion once offered. We inhabit a world where the power lies in the devices that we own.”

www.instagram.com/ruby_steele

 

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Holiday with Lulo

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This series is with my partner Lulo on holiday in Bali.

Being on holidays I wanted to photograph as little as possible, but there were so many moments of Lulo in golden sunlight that I ended up shooting a lot.

I love photographing her more than anything, there’s nothing to sell and we are so relaxed with each other that these photographs feel raw, intimate and honest.

These are the images that at the end of my career will mean the most.

Lulo photographed by Ren Pidgeon

 

Lulo – @lulo__lulo
Photography – @renpidgeon

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The Mid-West

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“I made a trip to clear my mind.” explains Andre Josselin. “We did 9 states and almost 10.000 kilometers in 3 weeks including Wyoming, Montana, Nevada, Colorado and California. We saw Rodeos and Roulette Tables, the endless roads and empty spaces. Witnessing Deers and Elks and Bisons. Eating a lot of sandwiches and hot dogs. We saw infinite skies of stars. I saw so many shooting stars like never before in my entire life, leaving me lying speechless in my tent – in the middle of nowhere, freezing my ass off.”

Everything shot on Canon 5D Mark4 and a Leica m240

 

You travel so much. Why did you decide to do another trip?

Traveling is kind of a relief for me. When I am feeling down, when I feel creatively stuck or even if I just feel plain unhappy, I love going abroad and get my mind cleared. There’s something beautiful about going somewhere you have never been before. The combination of going somewhere and try to capture new visuals which eventually culminate in the story of the trip is something that makes me happy. At the same time, I use all the minutes and hours to rethink about stuff I did in the past, relocate my thoughts and hope to find solutions on things I don’t see about myself, when I am at home.

What are your tips for sustainable travel?

Trying to be sustainable was one task we tried to consider during this trip. As we did a lot of camping, we used thermos flasks, stuff we could reuse, bought stuff at the local supermarkets instead of big brands, and tried to avoid plastic as much as we could. We gave food away we didn’t eat or shared it, instead of putting it in the trash. I wouldn’t consider us the most sustainable travelers ever, because there are so many things we could’ve done better or more, but it is worth a try to do something for the environment.

 

All photos by Andre Josselin / www.instagram.com/josselin
Everything shot on: Canon 5D Mark4 and a Leica m240

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An ode to my youth

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I’m turning 20 in several days, so I decided it’s a great reason to write about YOUTH. The poem is an ode to my youth.

This year was a great challenge: after I quit my sport career, now I’m back to the gym and even started dancing as well, I found job, started university, started another one job, moved out to live on my own and maybe found out what love can be like.

If you ask me to describe the whole year and all things I learned during it I’d choose the word “responsibility”. It’s quite funny that the more the world develops nowadays and becomes more dynamic, the distance between a “kid” and an “adult”, “childhood” and “adulthood” becomes larger and the transition between them harder and more tangible.

I’m from this group of people who calls it the “best or golden years of our life”. And now I blindly believe in it, maybe because I’ve been through a lot of troubles (all possible kinds) but still perceived everything as the young soul’s used to. You know, when you’re young you’re in the habit to think and believe that nothing is impossible.

“You know, when you’re young you’re in the habit to think and believe that nothing is impossible.”

I learned a lot about people. Especially those around me. When I moved out I learned the importance of the dear parents’s support and I saw that we can be good friends too.

I also learned a lot about the “choice thing”, because I never thought before that in fact. Everything that surrounds you might be your personal choice and that’s why you should choose carefully and consciously. And fortunately or unfortunately I’ve learned that you always have to make your choice and there never is a “golden mean”.

I was also lost in thought of risk. I realized if you don’t take any risks you might never go so far. And this is one more of a “big deal” thing that you are responsible for. So now I’m taking it. Let’s see what I’ll get afterwards.

There are so many more things I learned during my first year of the “adult life”, but the most important one is that we should never stop. We should never stop whatever; positive, useful, challenging we sometimes want to give up on.

Never stop trying, taking risks, loving something or someone, learning. Till you don’t stop – Life goes on.

We were young
And careless,
Living was such a madness
We’d just skipped all the exams,
We were messing around

We would stay till late out,
Change at once all the layouts,
Say “it’s all in the past now”
Spread with the wind…

Make out nude and flowers:
We discovered the colours
We were tasting the values,

That Life can suggest

Smoking fume of future
We were thursty and hungry-
We knew nothing about it
Of, mysterious fate!

Encamp empty parkings,
Counting stars-
White and sparkling
We would talk all about it
Just to settle thngs down.

We were late or early,
Falling asleep in the morning,
Tasting skin, playing bowling,
Love and hate made up journey
We were floating around

We could spend all money
For unfortuned scenario
We got drunk from desires,
Moments that we consumed

And we are still hungry
Wanderers scared of the lightning
But this life’s too exciting
So we’ll catch our luck…

 

Text and model- Katerina Slugina/ Unsocial Radioactive Kid
www.instagram.com/negniluha
www.facebook.com/unsocial.radioactive.kid

Photographer- Hristo Yordanov
www.instagram.com/hristoyordanov

www.hristoyordanov.com/work
Makeup-  Maggy Ivanova
www.instagram.com/magzbeautymua

www.facebook.com/magi.gka
Underwear- 05.studio
www.instagram.com/05.studio

Accessories-  Element Store
www.instagram.com/element_store_sofia

 

The post An ode to my youth appeared first on C-Heads Magazine.

Wiwek talks personal challenges, love and signing to OWSLA

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“You are already loved. It’s not something you get or feel. If you feel it, you are you”

Wiwek Mahabal alias Wiwek is a Dutch DJ and music producer based in Utrecht, Netherlands. Known for blending electronic elements with tropical rhythms. His music has been released on such labels as Barong Family and OWSLA, and led to collaborations with Skrillex and Yellow Claw. In our sidewalk talk we talk about his childhood, the collaboration with Skrillex, signing to OWSLA, working with GTA and personal challenges.

www.instagram.com/wiwekdj

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Video-Link: https://www.youtube.com/watch?v=xSz3wsaeAxE

The post Wiwek talks personal challenges, love and signing to OWSLA appeared first on C-Heads Magazine.

Tripletsisters

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“When I found the Triplets on Instagram I fell in love right away!

A few days later they posted a story on Instagram that they are all in town and are looking for photographers to work with.

I wrote them and we arranged a shoot for a few days later.  I don´t remember the last time I have been that excited about a shooting.

When they opend the door my heart melted. Three exact same looking beautys with red lipstick on.

I shot it all on 35mm film and used a special foil for the effects. No photoshop.”

 

Photography by Sarah Zak
Models are Adele, Elena & Gabriele Bastytes – Tripletsisters

 


Photography Sarah Zak – @Sarahlikesprettygirls_ – @Sarahzakphoto
Models are Adele, Elena & Gabriele Bastytes – @Tripletsisters

The post Tripletsisters appeared first on C-Heads Magazine.

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